Used Yamaha student flutes sell for $450-$800. Used Armstrongs/Gemeinhardts sell for $150-$300. Check out the prices of used Yamahas at and other used-flute sites to see how this works.
ALTUS FLUTE REVIEW UPGRADE
A very poor purchase throwing good money after bad when trying to improve the student's poor quality band-flute.Īs a point of interest, I had a 21 year old Dutch student last year, who was a tremendous player, who was still playing a closed-hole Yamaha 300-series after eight years, and didn't need to upgrade!!! What a great instrument for lasting that long, and playing at a high high level without trouble.Īdditionally, you may want to consider that the resale value is better kept on the more desirable brands of flute, so that when and if you do upgrade to an intermediate flute, you receive closer to 2/3rds of your initial investment, rather than only a hundred dollars or so.įor this, Yamaha is probably the safest bet. These are the same stiff-to-blow, out-of-tune, poorly fitted, needing repair every two months flutes as the beginner flutes from those companies, but made of more expensive metals (solid silver or gold plate) and priced at over $1400. A particularly bad idea is to buy one of the Armstrong or Gemeinhardt, or other band-flute company's "step-up" or so-called "professional" flutes. I think it is a better financial investment for the parents to buy a single good-quality closed-hole student flute that will last for the first five years of the child's playing, rather than spend $600 on one, and then two years later, spend $1600 on another. I've personally found the keys and mechanism stiff and clunky difficult to advance to fast, fluid, rapid playing.Įither flute would perhaps do for an average young beginner band flutist in their first year or two (the Armstrong probably is more sturdy than the Gemeinhardt for this use), but once the student is taking private lessons, and really "going for it" skill-wise, a better quality flute would then be sought, on the private teacher's advice.
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Intermediate students, working on tone and fine control over the headjoint, have found the Armstrongs too rough-sounding, and hard to control with the embouchure (lips), in order to play with finesse. They also have a slightly out-of-tune scale, as do many of my "not recommended flute brands." This is frustrating for the student, in terms of getting the flute to work fluidly, and creates more work to play in tune.Īrmstrongs have a different problem they tend to have headjoints that are stiff to blow, and not particularly suited to flute players above the beginner level. They tend to develop key leaks, binding, and bent moving parts very quickly, and students have reportedly had to take them to the repair shop repeatedly, and become frustrated by repairs that don't "hold". Their company has evidently switched to a softer metal, and less precision in machining parts, which means that the keys, rods and mechanism bend too easily, and do not hold up under use.
ALTUS FLUTE REVIEW PROFESSIONAL
This information is from professional flute repair people online. Gemeinhardt flutes have come to be known as having "soft mechanism" in the past few years. For the last 6 years, the 1000+ flute teachers on those lists have been comparing student level, and pro-level flutes for longevity, reliability and sound quality. I get my information from the collective wisdom of the four different flute discussion groups that I read each day.
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Thank you for any advice you have to offer. Can you give me more information as to why you feel differently? These are both brands that my daughter has heard are reputable.
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You mentioned that you felt that folks should stay away from Gemeinhardt and Armstrong flutes.
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I was looking at your Buying a Flute page as my teenage daughter is in need of a new flute.